Kreiselfest 2026 – Zollikofen
Joyful Brand Identity for the city’s mega-fest
Branding
Graphic Design
WebDesign
The Project
The Kreiselfest (or Roundabout Festival) in the city of Zollikofen, Switzerland, is a large community festival taking place on the main avenue closing the traffic to host the mega-party for two consecutive days, to happen on 4th and 5th September this year, 2026.
The project is lead by a committee of 40 decision-makers executives that plays a significant role in the city economy. After presenting my brand project’s entry for the event, it was finally awarded as winner and the committee officially adopted this Brand Identity System.
the Kreiselfest Design System
The briefing was clear:
- Logo must have circular or radial elements to remind the two roundabouts where the festival takes place.
- Logo must be joyful.
- Logo must depict some kind of movement.
- Logo must depict music.
Based on that I designed the main core logo elements and presented five versions with various elements to choose from, including: dog, cat, hot-dog, barbecue on a stick and number pairing variations.
The chosen version is the one with a dancing couple, a cute dog looking to the huge number pairing 2026 hat houses comfortably the city’s name and the provided slogan.
The inspiration
As to the aesthetic, I took inspiration on the Romero Britto’s artwork, a renowned Brazilian abstract painter, now living in Florida, USA.
He defines his own artwork as happiness, has an extensive gallery of random subject paints and prices from his canvas can reach up to US$ 2 million for a single painting.
The vector-like strokes and precise bold lines filled with colorful patterns looks great on digital and printed media, thus, being my first choice to elaborate on the subject.
Although this being a starting point, our Kreiselfest Brand came out with my own point of view, with quite different line design, weight, clear boundaries, cleaner pattern and a technically controlled color palette.
The Design Process
It started with many pencil sketches in my notebook until I found the circle formation with elements inside and typography outside.
Once found the core composition, I designed the shapes in vector software and fine-tune all the measurements and adjustments to balance and fit all the elements.
After that I refined the colors to a limited palette and applied many combination until the most balanced and harmonic was found.
The final approved version later on included a second logo and a website. The project counts many dedicated worked hours, and it is still ongoing as website evolves. Don’t miss to visit the official Kreiselfest website as well.
Technically, the logo was a complex puzzle of shapes and patterns, but aesthetically it looked smooth and easy on the eyes.
Shortly after the logo was done, I got a request to expand the project to a second logo, this time for the side event, the music festival.
Before diving into the complimentary logo, the next step of the process was to elaborate the brand guidelines and usage, as well as some mock ups with practical examples.
The logo was also built to be modular and ready to be update next and upcoming years. The way I built it, it is quite easy to change 26 to 27 or whatever the year number that the next festival will be held.
But I must admit, if I am to be honored again to manage the brand next festival edition, I would change the main character elements as well, so as the years and festivals goes by, we end up having a collection of logos with diverse characters, creating a world of its own.
developing brand collateral based on the brand guidelines
The circular logo could face complex fitting into the square world of monitors and framing for printed media. The richness of this logo allows us to truly play around and find joyful compositions.
This was done by isolating the logo in a radial neutral border and filling the background with a mixture of its elements, drawing the eye always to the main element and filling with uplifting vibe all around the composition in a less word and more color approach.
zolli on stage logo
The Music Event named Zolli on Stage was later added to the project and asked to be designed as a “twin” logo approach.
For that I used the existing design system and tweaked the characters to a more explicit sign ( music player, singer, dancer ) and used a rather analog color palette with blue and purple being the main mood contributors as the music event usually tends to happen at night.
For me, personally, the great addition is the red and white striped pattern added to one character element, clearly honoring the Swiss flag colors and pattern seen in many historical buildings.
In the end, the main Kreiselfest logo and the Zolli On Stage logo are a great pair that not only look alike, but complements each other to a greater feeling of the event.
The Kreiselfest Website
Since the website would have diverse content contributors, I designed the website using Elementor and WordPress for the ease of use and access. The web project started on the brand guidelines and quickly evolved to a website with many pages.
The key design characteristic is the absence of angular and sharp edges, as the entire project relies on rounded and radial shapes, that also applies to boxes, buttons and sections dividers.
For the front page I applied a hero banner with a drone-video footage running on the background, showing the overview on where the event will take place. The huge logo is the center piece accompanied by it’s “twin” Music Event logo. Then we have a feature that has a practical role: the live countdown timer, marking the exact time the event will start. Below the fold, we have updated information from the blog.
CLIENT
KREISELFEST / ZOLLI ON STAGE (Switzerland)
PROJECT SCOPE
BRANDING
WEBDESIGN
SOFTWARE
PHOTOSHOP
AFFINITY DESIGNER
WORDPRESS
My final thoughts on the project
The project delivers vital information to the public, sells the event to sponsors and will be used as a memory multimedia album after the event. Driving a traffic of thousands of accesses daily, it grew organically with the help of the communication team through an open WhatsApp channel and social media like Instagram.
This was a rather “different” project, far away from what I am really used to, corporate and serious toned businesses, and I must admit I had fun creating it. To use a more playful color palette and to design characters for a logo, was something I enjoyed and tested my skills at the same time.
I’d like to thank very much the sponsoring and trust from Intelliworld that not only made it easy for me to understand the project’s needs as well defended the project to the committee board. Huge thanks Scott!
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